CODA

There’s a reason why I call this series “The Slacker’s Guide to the Oscars.” As the minutes tick by, it’s less and less likely this is the year I get through all of the movies before the Red Carpet. And with only one left to go, that stings. But last night, after an arduous Apple ID set up and sign-in process, we sat down to take in CODA.

I’ve been saying for the last week that Power of the Dog is the likely winner of the Best Picture Oscar. It wasn’t until last night that I had found my “Should Win” movie, and that is, obviously, CODA, which makes this probably my most challenging review to write in the series. I’m pacing around the condo, trying to write more than just a gushing review. It’s much easier to write about something you don’t understand or didn’t like.

One of my college professors was a huge Olympique de Marseille fan. He always used their motto “Droit au but” (straight to the goal), so I will try to do that here.

The motto happens to fit CODA to a tee. This film was meticulous in storytelling; nothing felt wasted or drawn out. All of the actors were spectacular. Even though they weren’t perfect, the Rossi family was a delight to spend time with.

The subtraction of sound throughout the film brought focus to the different experiences CODA was bringing to the forefront. The scene at the end of the movie in particular. Frank and Jackie are put in clear focus as the concert fades away, and we get to see how they take in their daughter’s impact on the audience.

Troy Kotsur is up for supporting actor as Frank Rossi, but I am amazed that Marlee Matlin did not receive a nomination. I am also surprised that Sian Heder didn’t receive recognition. I guess Heder’s short resume may have something to do with that.

Whatever the outcome at tonight’s show, CODA is an absolute must-see.